I was debating making this entry because I don't want to risk covering the same topics over and over again but considering the fact that I leave some of my blog entries open ended I thought I would add a few notes.
MOON KNIGHT – This monthly series is really growing on me because it is the MAX series that is not a MAX series. That is, it is a mature title but it doesn't wallow in the over the top self parody that many of Marvel MAX comics fall into. (Folks, there does come a point where trying to be shocking and offensive is no longer shocking and offensive. When you reach that point, you become embarrassing and silly) Anyways…Moon Knight is an interesting series because the long time "B character" of the Marvel Universe is running into a number of problems because of his perceived outsider nature. I always felt that the new Moon Knight character is a metaphor for loners that can't fit in to society (a long time staple of Marvel characters) and what makes the character so compelling here is that the heroes of the "Marvel Status Quo" do not exactly appear very likable. Yes, Moon Knight has his 'outsider and anti-hero' flaws but he remains an engaging character and his story lines worth following.
COUNTDOWN TO FINAL CRISIS – Over at DC I just read a the 4th to last issue of COUNTDOWN and all I have to say is wake me up when its over. This entire series was a horrible retread of last year's brilliant 52 and it really has turned off a number of readers. The gist of the new issue is Mary Marvel is turning evil which is a retread of the classic Black Adam storyline of last year. Really, this series is shaping up to be almost as big of a disaster as the old Spiderman Clone saga of a previous generation.
I was reading the 30 DAYS OF NIGHT story arc RED SNOW and found it to be one of the best 30 DAYS storylines in a long time. I have been a 30 DAYS fan for a long time having enjoyed the original, debut story quite a bit but believe it or not I found the sequel DARK DAYS to be even better. And, yes, I thought BLOODSUCKER TALES was really well written and engaging. But, even the most ardent of 30 DAYS fan would have to admit a decline in the quality of the series. SPREADING THE DISEASE was little more than a mix of THE PARALLAX VIEW meets BLACK SUNDAY meets COUNT YORGA, VAMPIRE. And that goofy, goofy, I mean goofy DEAD SPACE storyline with the vampires in Outer Space reminded me of the worst episodes of VOYAGE TO THE BOTTOM OF THE SEA. The main problem evidenced by these poor storylines is the fact that there really is only so much you can do with vampires in a "comic universe" after you've over exposed them.
When it came to being skeptical of Bigfoot, the late Arthur C. Clarke provided one of the best arguments for not believing in the mysterious monster. The late Clarke's reason why there was no such thing as Bigfoot was as follows: "Too many people claim to have seen them." In one little sentence Clarke completely deflated virtually any argument for the existence of the Sasquatch and he could do this because that little sentence was loaded with a lot of common sense. If so many people could see the giant hairy beast they why was it so many people can not see it? Either it was a rare, elusive creature or it wasn't.
It is like in Marvel Comics when a superhero meets a vampire or a werewolf and initially doesn't believe in their existence. What the hell is not to believe? Can't they see all the parallel universes, mutants, aliens from outer space, intelligent robots, altered humans and swamp creatures around them?
I couldn't help but think of Clarke's words when reading the
future installments of 30 DAYS OF NIGHT. In the first few series we were given
the impression that there were very few vampires in the world and they were
careful how and were they hunted. In future installments we get the impression
they are everywhere. Well, there really is no other "impression" to
derive…they are everywhere. They run in gangs and packs and they hunt and
"turn" people into vampires. They attack in regions all over the
Why, through the use of one of the greatest cliché devices
in popular culture: the government is covering it up! This is so old and clichéd
that it really doesn't does little more than inspire yawns when used. Plus,
there is that little matter that the boobs in
Therein lays my problem with the 30 DAYS OF NIGHT series. It has moved from horror to the realm of fantasy. When this happens the stories top being scary and the vampires lose much of their menace.
One of the problems with Countdown to Final Crisis is that it borrowed heavily from the theme/business strategy that made 52 so successful. When DC decided to completely remove Batman, Superman and Wonder Woman out of a year long major story arc they took a risk. The goal was to elevate "B level" characters so as to make them more important in the overall scheme of the DC Universe. That is, these B Grade characters could end up having their own successful selling monthly titles. To a certain extent, this has worked. Granted, Booster Gold is never going to deliver 100,000+ sales a month the title is doing far better than it ever would have if Gold was a minor player in the 52 story arc.
But what made 52 so successful was the fact that it was expertly written and with plot twists and character development galore. With Countdown to Final Crisis we get a convoluted storyline loaded with B characters who have been around as the focal point of a major story arc for too long. Simply put these characters are suffering from overexposure.
Remember, there is a reason why B characters are B characters…they lack that special something that make an A level superhero A level. When they a B grade character is overexposed the limitations become glaringly apparent unless they are placed in a compelling storyline to be successful. Remember, Stan Lee, Steve Ditko and John Romita Sr worked on Spiderman and Daredevil during the 1960's. Is there any comparison between the success of Spiderman and Daredevil? None. The reason was Daredevil was essentially a generic hero with the gimmick being he was blind. The book was generally a marginally humorous Spiderman knock off for two years before becoming a serious toned Spiderman knock off until Frank Miller saved a very boring book from oblivion with quality writing and revolutionary (for its time) storytelling. Even though some of the greatest comic storylines in history have appeared in Daredevil comics the bulk of the character's 44 year history has been average at best. This is because Daredevil – while patterned after Spiderman – was missing a multitude of elements that made Spiderman such an endearing and popular character. Because of this Daredevil remains a long time character with a fan base but still a B character as far as the scheme of things go. (For the record, I am a long time Daredevil fan who thinks the past 8 years of DD have been tremendous)
Therein lies the problem with Countdown to Final Crisis (well, one of the problems) You can only build around B grade stars for so long until their weaknesses become obvious.
I had written often about the character Moon Knight in some of my more "slip shod" blogs but I don't think I ever invested any time seriously examining the character other than my brief mention of his appearances in RAMPAGING HULK MAGAZINE in an extensive Hulk article for my On Television Classics blog. (BTW – You can read reprints of those excellent RH stories in ESSENTIAL MOON KNIGHT Vol 1) I first discovered Moon Knight in the late 1970's in an issue of MARVEL TEAM UP. I was a regular reader of the character's third series in the 1990's. I also dug the four issue mini series of the late 1990's and have been reading the return of Moon Knight in his new, excellent monthly series.
Face it. I am a huge Moon Knight fan and sometimes I ask
myself "why?" After all, he has long since been a secondary character
in the Marvel universe and the character is a shameful rip-off of Batman. So
why all the adoration for such a B level character? Because with B level
characters writers take chances and those RAMPAGING HULK stories and the later
half of the early 1980's solo series were off the charts in terms of the
unique, inspired and brilliant writing. But, Moon Knight never rose above B
status and despite the quality of the writing all his series were short lived.
Upon looking at the decent sales figures for the new series it would seem that
this Moon Knight series will be a winner.
And the writing is excellent. But, rather than discuss the story lines of the past dozen or so issues I thought I would look at the very first too issues which find Marc Spector down on his luck, haunted by distressed memories, addicted to pain killers and seeing his glory day memories of Moon Knight far behind it. There is a certain subtext here that is not necessarily obvious on the surface.
Based on the condition that we find Spector we must conclude: being a B level hero weighs heavily on a man whose glory fades in comparison to the heroes who get all the attention. Yes, it would seem that Spector's mental and physical breakdown is a metaphor for his long running bad newsstand sales.
Look, how would you like it if you took criminals off the
streets as well as outright saved the word a few times and were essentially
considered unimportant? Yes, that would weigh heavily on the psyche
TO BE CONTINUED
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